Wednesday, October 28, 2020

Context is Key

 The fire station down the road from me often has a message on their sign saying things like, "1082 Runs to Date."  And it always makes me think, "Is that good or bad?"  Without any data to compare it to, you really don't know.  I mean 1082 Runs could be up by 100 over that point last year or it could be down by 100.  Without the context it's just a random number.

It's kind of the same thing since Amazon started to let people just give ratings for books without typing anything.  Without any context it's just random.  Someone, somewhere gave my book 1 star.  Or someone, somewhere gave my book 5 stars.  Either way it doesn't tell me a lot.  Someone liked it or someone didn't like it.  

There have been more ratings of some books, mostly the free or low cost ones.  One Day As a Bimbo went from 2 reviews to 13, probably because it's free.  Chance of a Lifetime went from 50 to 60 reviews/ratings.  The problem then is you have no idea if the ratings you're getting are good or bad because of the stupid way Amazon weighs ratings instead of just telling you how many there are of each.  So really I have no idea if these people are liking the book or not.  Which from a business standpoint it's always nice to know if people are liking your product or not.

Though to be honest it's not like people who wrote reviews usually told you much most of the time.  I mean some of them were barely comprehensible.  Others would just say "OK" or whatever.  Really what I want to know is what you liked and didn't like.  I don't need you to rehash the plot or say "Ok" or dumb shit like that.  What was good and what was bad?  That's what's useful.

Anyway, context is important.  Numbers with no context don't really SAY anything.

Monday, October 26, 2020

From Premise to Story

Last week Eric Filler got one of those rare fan emails.  For some reason they all seem to make a request, despite that I don't think I've ever written a story on request.  I would if someone paid me, but they don't.  Anyway, the email ended by saying:
 I would love to see one with a black man turning into a girl superhero
And it got me thinking that this is a premise, not a story.  To turn this premise into a story, we have to do a lot of work on it.  Let me show you!  (It'd be cooler with a whiteboard or chalkboard, but whatever.)

Let's take it in order.  You want a black man.  OK, how old is he?  Is he tall or short?  Rich or poor?  Does he live alone or does he have family?

He turns into a girl...how?  Magic?  Some kind of chemical?  Lab accident?  Alien technology?

As for the girl part, how old is the girl?  Since Amazon banned age regression stories (from me anyway) she'd have to at least be eighteen.  Is she fat or thin?  Tall or short?  Big tits or little tits?

And if she's a superhero, what are her powers?  Flight?  Invulnerability?  Super speed?  Heat vision?  Telekinesis?  What does her costume look like?  Cape or no cape?

Only when you start making all these decisions can you turn the premise into an actual story.  That's pretty much how all stories start out:  you have a basic premise and it snowballs as you start to fill in those specific details.  Hopefully as you fill in the details you answer the rest of the questions about the story, like:  who is the antagonist?  What do they want?  What does the hero want?  

Until you can work all that out, you aren't going to have much more than a premise.

There you go.  Class dismissed.

Friday, October 23, 2020

Back at the Top (LOL)

 


This probably means I sold 2 copies today but so what?  A win is a win.

Friday, October 16, 2020

A Little Knowledge

A Little KnowledgeA Little Knowledge by Chrystal Wynd
My rating: 3 of 5 stars

As someone who watches Rifftrax and Mystery Science Theater 3000 quite a bit, I'm pretty familiar with bad movies. One thing a lot of bad movies have in common is an utter disregard for logic. Why does the girl being chased always run UPstairs to trap herself? Why would you break into a spooky old house to set up your HAM radio? Why would you try to fight birds with a coat hanger? And so on.

Right away there was a leap of logic like in a 60s Italian horror movie where someone said how "impressionable" Hawaiians are. In this case it was that Julie's Asian heritage made her not believe in things. Um...what? What does being of Asian have to do with being skeptical? And then another ham-fisted mention of Julie's Asian heritage later in saying that blonde hair and Asian features would make her look like a bimbo. What? Then an even more ham-fisted mention of her brother's heritage when he's with the main character. And since when are bimbos known to lisp? And wait, they're witches at some kind of magic school? That was mentioned so casually, like it was totally normal. Why would the librarian have power to discipline students? Don't they have a headmaster or headmistress?

Besides that there were things worded oddly like, "she said feelingly" and someone's "thunderous" face. Along with the typos this isn't written very well. The core concept was decent but it's not well executed. But I decided a while ago to not give books I got for free less than 3 stars. Especially since it took less than an hour to read, it's not like I was really out much.

That is all.

View all my reviews

Wednesday, October 14, 2020

A Hero's Journey: Special Edition - Now in Paperback Too!

 The ebook of the Special Edition of A Hero's Journey came out last weekend.  And now you can buy it in paperback if you don't like ebooks.  It's $13.99 with Prime shipping for free.


Since I was making paperbacks, I finally got around to making a paperback of The Night's Legacy.  The core of that story is like a stand-alone of Louise's story in the sixth book of the Scarlet Knight series.  The hardest part of that was finding the original image to redo the cover so the text wouldn't be out of the margins.


That's $10.99 with free Prime shipping.  The ebook is still only 99 cents.

So there you go.  Enjoy.

Monday, October 12, 2020

A Hero's Journey: Special Edition Now Available in EBook!

 The headline says it all:  the Special Edition of A Hero's Journey (Tales of the Scarlet Knight #1) is now available in ebook on Amazon.  I could have done it sooner, but I reread the other seven books in paperback first.



The Special Edition includes nearly 50,000 words previously cut.  It also includes a new introduction by me about how the book came together from its humble origins as part of The Leading Men back in 2002.  Now you can read it the way it was meant to be read!

While rereading it, it occurred to me that since the series ended in 2010, if it followed along in real time, Emma would be 40 on Halloween.  Emma's natural daughter Louise would then be 12 and her adopted daughter from another dimension Joanna would be 18.  Since Louise and Joanna are both geniuses like Emma, Louise would probably be in high school and Joanna would be probably graduating college, probably with a doctorate in something.  Joanna has psychic abilities that allow her to contact versions of her father in other realities and to travel to other worlds; those abilities would probably have gotten even stronger over 10 years.  Emma's boyfriend (husband?) Jim Rizzard--formerly the Sewer Rat--would be a couple of years older than Emma.  Over ten years he'd have probably stopped living with rats in the sewers to live on the surface with Emma and Louise, their daughter.  Maybe they'd have more kids.

Meanwhile her best friend Becky would be 41 and her boyfriend (husband maybe) Dan Dreyfus would be a few years older than that.  Becky couldn't have kids, but she did have eggs frozen so maybe a surrogate (Emma?) would have given them a kid or two.

Emma's friends the former witch Agnes Chiostro and her wife Akako moved to the dimension where Joanna came from.  They'd both be in their 30s by now.  Akako was a tattoo artist and Agnes a college student when they came into that dimension.  I'm not sure what Agnes would get a degree in since all she knew about before was magic and sewing.  Their daughter Renee would be 11 and perhaps her strange magic abilities would begin showing.

In another dimension, Emma's friend Tim Cooper would be in his 30s too and for the last 10 years has been fighting crime in his sort of Iron Man-like suit.  His loyal sidekick is the genius Renee Kim, who would be 21 and probably a billionaire tech company person like Elon Musk.  By then maybe Tim would finally win the heart of Detective Sylvia Joubert, who would also be in her 30s.  

Emma's friends Amanda Murdoch and Megan Putnam would be in their 30s too.  Amanda would probably be a workaholic detective in the mold of her mentor, Lottie Donovan (who died in book 7) while Megan would probably be the partner in an architectural firm.

And then there's time traveler Marie Marsh who could show up at almost any age.  I haven't done much with her since book 2 (since she died in the original version but lived in the revised version) so maybe it'd be time to bring her back for some reason.

And Emma and Jim's faithful companion Pepe the rat would have long since died, though after 10 years he would have many, many generations of offspring.

So to do a sequel after all this time, there would be a lot to take into consideration.  I'm just saying.

Wednesday, October 7, 2020

Potpourri October 2020

 I haven't felt like writing anything--even blog entries--for a few weeks.  Here are some random thoughts and junk.

One of the happiest moments during the pandemic so far was when I found out there's a Rifftrax app for the Roku!  It's something I've looked for a few times in the past because Pluto TV only shows a small percentage of Rifftrax videos and Amazon Prime can be really wonky with titles coming and going at random.  When almost all of them disappeared from Amazon Prime I checked the Roku channels and found the official app.

For $5.99/month or $65/year you can get access to almost all the Rifftrax VODs up into 2017.  There are a few missing like Supersonic Man, Neutron the Atomic Superman, and Brainiac, but there are some others that haven't been on Pluto TV or Amazon like Super Mario Bros, The Wizard, Red Dawn (with Joel McHale), and Viva Kineval, a really lame 70s movie starring Evel Kineval as himself versus an evil promoter played by Leslie Nielsen.  And there are a lot of ones that used to be on Pluto TV but got dropped like Ghosthouse, Last Slumber Party, Rock n Roll Nightmare, Cool as Ice, and Psycho II.  And there are some that were briefly on Amazon Prime like Ruby, No Retreat/No Surrender, and Kingdom of Spiders starring William Shatner.  Plus there are lots of the shorts, some of which have been on live shows but more that haven't.  So it's a bonanza of riffing!

Plus you can buy stuff from the main Rifftrax site and watch it on the app, though it only works with the videos on demand, I think.  I bought one on sale to try it out and it worked just fine.  Recently they added Oblivion, a low-budget sci-fi Western and I hope they add the sequel and more stuff from 2017 and later.

When I wasn't watching Rifftrax I managed to watch a few other shows.

I finally got around to watching Agent Carter on Disney+.  I never caught it on ABC and it was never on Amazon Prime or I don't think on Hulu.  Anyway, I liked it a lot better than the only season of Agents of SHIELD I watched.  I think because it takes place in the 40s it's better.  Unlike SHIELD you don't have to worry about what's going on in the MCU and you don't keep wondering why Iron Man, Hulk, Captain America, etc won't show up because other than Thor, none of them were really around in the 40s.  Dominic Cooper reprises his role as Howard Stark a few times and the Howling Commandos show up in an episode but otherwise there aren't any cameos.

I think the first season was a little tighter, maybe because it was 8 episodes and not 10.  The second season moved from New York to LA but it seemed like it could have been wrapped up a little sooner.  It unfortunately ended with a little bit of a cliffhanger when Peggy's boss is shot by a mysterious assassin.  And then of course Endgame's ludicrous ending made the whole show irrelevant.  Hooray?

I also watched Crossing Swords on Hulu.  It's another project by people who work on Robot Chicken.  I don't really like it as much as some of their other side projects like Supermansion and Titan Maximum.  Instead of puppets the people in this look sort of like the old Little People figures only they're more squarish.  It takes place in a world sort of like a Middle Ages kingdom.  Patrick (voiced by Nicolas Hoult) dreams of being a knight.  In the first episode he participates in a tournament to become a squire and manages to get the job.  Soon he's working with the selfish king and his equally selfish wife and daughter.

Since it's from people involved with Robot Chicken there's a lot of the same low-brow humor so I'm sure no one who might ever read this blog would watch it.  I did enjoy it, though maybe not as much as those other two shows I mentioned.  One thing is certain:  the main character has the best name ever!

A random thought on watching more recent seasons of The Simpsons:  Julie Kavner needs to retire.  Her voice is just getting so bad that I started muting it.  I suppose it's not unexpected after so many years.  Jessica Walter on Archer is getting the same way where sometimes it's hard to listen to.

As far as writing goes like I said, I haven't done a lot.  It's mostly a bout of "writer's malaise" where I have stuff I could write but I just don't feel like it.  Maybe it's just all the covid stupidity finally getting to me.  I did recently think of something and started doing some preliminary work.  Basically I thought that I had done a Transformers-themed gender swap story and one based on a GI Joe episode, so why not like a Voltron/Power Rangers-themed gender swap story?  Right?  I think part of the inspiration was I rented the Rifftrax movie Attack of the Super Monsters that was this really awful thing where it's half that puppets/guys in suits Power Rangers stuff and half late 70s anime stuff.  The way they combine these is anything but seamless.  I think the "movie" was like 4 episodes where pretty much the evil dinosaur puppets would mutate and sic animals on humans.  The most bizarre one involved mutating rats.  The female member of the good guys is at the dry cleaner to pick up a blouse when a rat suddenly rips through her blouse.  The weird thing is her brother gets all pissed off at her because she didn't demand her money back from the dry cleaner.  Later the dry cleaner is being chased by rats and the chick wants to go out and save him.  Her brother actually hits her!  I mean like hard enough to knock her down.  Then he goes out to try to rescue the guy.  It was just WTF?!  I hope that gets on the Rifftrax app someday or maybe I'd buy it because it is truly bizarre even for Japanese TV.

Anyway, I even went and made some Sims for this story idea since I had Power Rangers costumes based on the 2017 movie.


Maybe I should try to wait until November and do a stupid NanoWriMo on it.  Or not.  Whatever.

Wednesday, September 16, 2020

Revisitations

 Last entry I talked about how I recently reread A Hero's Journey and it would be really nice if you went and commented on which cover you like if you haven't already.

Besides that, I also reread most of my other superhero stories.  I didn't reread the rest of the Scarlet Knight books yet and I didn't reread The Night's Legacy because I don't have it in paperback.

The thing is though that when you reread something after a few years it really does help you to see it with fresh eyes.  But still since I wrote them of course I didn't think any of them were bad.  But here are a few thoughts based on what I reread.


Girl Power:
  After rereading A Hero's Journey, I started in on my next superhero series with Girl Power.  The not-so-secret origin of it was I thought of doing a crossover between the Scarlet Knight and Chances Are series.  But since no one had probably read both series besides me, it seemed pointless.  But then I had the idea to do a crossover of the core concepts, so it's about gender swapped superheroes.  Characters who are based on Superman, Batman, Aquaman, and the Flash (Wally West more than Barry Allen) are turned into women and have to deal with sexism, changing relationships, and in Batman's case losing his strength when his body is de-aged into a teenager.

One criticism that's been hurled at this is the story isn't deep enough.  And I think that's valid.  Of course what those people don't know that I do is this was pretty much written as a lark, so I wasn't probably taking it as seriously as I could.  I wasn't sure I'd do anything with this (much less write two more, 7 short stories, and a spinoff novella) so I wasn't really interested in making it overly long.

Starla, the Superman character, gets the short end of the stick in this in that she doesn't get as much character development as the others.  She has to deal with a sexist boss and then her often one-sided friendship with the Lois Lane character, but it's not really as dramatic as with the others.  

Other than that, I always have the vague thought I should have done something more in the ending battle.  More like what?  I don't really know.


The Impostors:
  Book 2 of the Girl Power series was actually my favorite of the ones I reread.  I took it more seriously this time and so there is a lot more of a story.  Since Starla didn't get as much of a story in the first book, she gets a lot more story in this one.  It sort of follows Superman II where he decides to give up his powers.  In this case after some soldiers die, Starla blames herself and when the Lois Lane character questions her fitness as a hero, she goes to her Fortress of Solitude and takes something to become a normal human.

Soon she runs into some trouble in the city and is saved by a nice old woman who takes her in and she essentially starts a new life.  In the process she ends up falling in love with the Jimmy Olsen character--and him with her.  

Meanwhile, the other heroes are trying to make up for her absence as giant robots attack.  But then they're saved by themselves--or clones of their male selves.  There's some awkwardness when they try to work together, but soon the public decides to put their trust in the male team.  Aquaman and the Flash are de-powered and have to undertake desperate measures to get their powers back.  And once she realizes that her male clone is not as benevolent as her, Starla has to risk everything to get her powers back.

Really the only thing I didn't like is like a lot of Marvel movies the ultimate villain is under-developed.  There are some mentions along the way but since I kept him in the shadows until the end, he didn't really get much in the way of development.


League of Evil:
  At the end of book 2 there's a mysterious message that threatens something terrible is coming.  For what was supposed to be the final story, I wanted something big and you don't get much bigger than a Galactus/Unicron-type planet killer.

But before that there's a lot of other stuff to dispose of our heroes and create epic chaos.  The weapon that was used to turn our heroes into heroines in book 1 is used on the whole world, turning everyone into women.  Before that, Starla is arrested and taken deep into space by a group sort of like the Green Lantern, the Flashes are sent into a future where the Earth has been wiped of all human and animal life, and the Batman character is locked in an asylum and replaced with her clone from book 2.  

This leaves Earth defenseless as villains begin taking over.  To combat the chaos, the Batman character's sidekick Melanie recruits four villains to serve as sort of a Suicide Squad to fight the other bad guys.  They start out as just four bad guys and eventually become a real team.

But just as they seem to get things in-hand and the other heroes start coming back, here comes Galactus!  

There were so many moving parts in this story that I think it was a bit unwieldy.  Global catastrophe is really hard to pull off.  And like some later books there were probably too many changes, especially with the Flash characters.  And there is sort of a deus ex machina involving one Flash and time travel.  In the end it all falls back on the favorite superhero movie ending of 2012:  a hero takes a bomb somewhere to save the day.

I just think the Suicide Squad thing could have worked better on a smaller scale but like with the Scarlet Knight series, when you're doing what's supposed to be the last book, go big or go home.


Secret Origins:
  It was natural then I'd read the Eric Filler version of the Girl Power series next.  The secret origin of Secret Origins actually came when I was in the theater for BvS and I thought:  what if the Batman and Superman characters were turned into girls who had to go back to high school?  Because that's a thing I'd think about.

Unlike the Girl Power books, this was written in first person from the POV of the Batman character.  Like in BvS they are not really superfriends, though most of the loathing is on Batman's side.  When a big space rock threatens the Earth, they intercept it and some kind of mysterious radiation turns them into teenage girls.  While the Batman character is a wimpy nerd, the Superman character soon turns into a gorgeous Barbie doll.

They go to high school and of course the Superman character becomes part of the popular cheerleader crowd while the Batman character is a social outcast.  As the Superman character becomes more popular, it starts going to her head both as a normal girl and a superhero.  Then there's a Carrie-type incident that prompts her to snap and the Batman character has to stop her.  Then they have to work together when that rock that changed them turns out to be an egg for a giant monster!

This was more tightly-plotted than Girl Power and I thought it was pretty fun.  My favorite difference was the introduction of the Batman character's former sidekick, who's sort of like Nightwing, except he's black and gay.  Him being gay caused a rift between them, to the point that the Batman character tried to have him sent to military school.  After the Batman character changes, the former sidekick helps her to train and become a hero again and in that way they end up having a better relationship than when they were father and son.

Like in BvS, one problem at the end is when the big killer monster is released, there's not a ton for the Batman character to do.  She masterminds a strategy to get rid of the monster, but there's not a lot she can do in person, so maybe it's a little underwhelming.

Like a good superhero movie there was a sort of cookie scene at the end where we meet a new hero--the Flash-type character who's like the Flash-type character of the Girl Power series.


Speed Demons:
  the second book in the Gender Swap Heroes series focuses on the Flash character who was a scientist studying that space egg from the first book.  When it hatches, he's turned into a girl who has superspeed. 

My favorite part is the first quarter or so where Allison learns about her powers and has to scavenge resources to survive.  She steals money from bad guys and creates a lair in an old electrical company building, which was sort of cribbed from Darkman II.  At one point she runs up to a small town to hang out with some kids her own age, which doesn't go great.

Maybe it would have been better if the whole book had been that, but eventually there had to be a bigger plot.  That involves a rival who was also turned into a girl, one with the ability to siphon powers like Rogue or Parasite.  When she siphons Allison's powers and then the Superman character's powers, she turns into a supervillain who tries to overthrow the US government.

I think things got a little out of hand with the plot considering how it started.  Maybe I should do a new version independent of these where I try to keep it smaller.


Resistance:
  the end of the second book set up this third book.  After the supervillain wrecks DC and kills a bunch of people, the government decides it needs its own heroes to fight back.  The first one is one of the soldiers who survived the attack, though he was badly wounded.

He takes an experimental serum that turns him into a teenage girl with invulnerable skin and super strength, sort of like a hot teenage girl version of Captain America.  The government can't find any other willing volunteers so they offer pardons to four military criminals who then get the serum.  Three of them survive.  One has fire powers, one has telekinesis, and one turns into a girl made of crystal.  It's then kind of like League of Evil where they have to work together to become a team and take down our heroes from the other stories.

But that's only about half the book.  Then it really goes off the rails as our characters are de-powered by the government, rescued by the Batman character, and then get new powers in time to fight off an alien invasion.  Like I said it goes off the rails and the biggest problem is two of the makeshift Suicide Squad, especially the Human Torch one, don't really get a satisfying end to their character arcs.  Mostly the end focuses on Captain America, Marvel Girl, and Superman as they team up to fight the alien fleet.

It was my least favorite of the lot but someone on Amazon actually thought it was better, so who's to say?


Justice for All:
 
the last one of this batch was the 2015 P.T. Dilloway novel Justice for All, Book 1 (and only) of The Outcast.  I sort of reused the Batman character from Girl Power only she's a girl the whole time.  

Robin Howe's police captain father is blown up in front of her by goons of the evil Madame Crimson.  After that she vows to get revenge.  She begins training to become a vigilante and after a year takes down a couple of low-level mob guys before getting in over her head and nearly killed.

After getting out of the hospital, she's sent to a strict Catholic all girl's school in New Hampshire under the name Rose Howard.  But she soon finds out the resident Mean Girl at the school is none other than Madame Crimson's spoiled daughter!  As Robin tries to adjust to her new school and makes friends with another girl and a local boy, she ends up having to save Madame Crimson's daughter from another gangster's goons.

This is a pretty down-to-earth series with no magic armor or gender swapping or anything like that.  I don't think it's overly "realistic" and like some movies I wonder if the teen characters maybe talk too much like adults.  The end probably needed a bigger set piece too.

So there you go.  At some point I might go ahead and read the rest of the Scarlet Knight books.  Or maybe I'll get off my ass and write something.  Or maybe I'll die of Covid.  In 2020, who knows?

Monday, September 14, 2020

A Hero's Journey: Release the Grumpy Bulldog Cut!

Recently I ran out of comic books to read and I didn't feel like writing, so I decided to read a book.  Then just for the hell of it I thought, "Why not read one of my books?"  I decided it'd be better to read a paper book than a Kindle one, so I grabbed A Hero's Journey off the shelf.

Reading it for the first time in a few years, I was reminded of how much stuff I cut out for the eventual published version.  With all this "Snyder Cut" bullshit going on, I began to think that maybe I should edit and release the full version.  Which is not the "original" version. 

The version I released was the third version, or the fourth if you count the graphic novel script I half-ass wrote.  The first version was written in 2009 and I didn't really like it.  To me there seemed to be some plot holes and stuff.  So I did a second version that was first-person from the POV of the ghost Marlin, but that was fraught with all sorts of problems and it would be hard to do that as a series.  But I left it while I wrote the rest of the series.  Then in 2010 I went back and wrote a new version that was 133,000 words because there was a lot of extra stuff, some of which you can find in the Deleted Scenes posted to the blog.  

But when I was trying to get it published I decided to cut it down to a more salable length.  I pared it down all the way to 86,000 words, so that was like 47,000 words cut!  Practically a whole short novel of stuff cut out.  

Reading the shortened version, I think Becky and Lieutenant Donovan got the worst of it as I think a lot of their scenes were cut.  There was also a prologue at the beginning about how the case containing the Black Dragoon armor came to America.

Anyway, I found the original draft of that version and formatted it for an ebook that I'll probably start editing soon.  Then I can make a new paperback of it too.  The paperback I read actually isn't that great.  There are a couple of weird parts where a sentence posted backwards!  !siht ekil sdrawkcab  I'm not sure how that happened, if it was on my end or Amazon's end--or Createspace, whatever it was.  

As part of that of course I want to do a new cover.  I'm sure Rusty Webb is too busy in Bermuda to do a new one for me, so I was trying to do a more traditional one.

Here's one just using some free images:


And here are a couple using paid images.  I haven't bought them yet so they're just previews with the lines and watermark junk on them.






You like any of those?  I could probably find a new background for the three of those; that was just something I had on hand.

And here's a different direction, using a splash page from the teaser comic drawn by Al Sirois:


I'm sure Al wouldn't mind if I use that, though I'd make sure to ask.

Any of those strike your fancy? 

Thursday, September 3, 2020

IWSG Analysis

Yesterday was the Insecure Writer's Support Group.  Most of the time it's not very interesting, but I did find the question for September to be fairly interesting:

If you could have one author, living or dead, be your beta reader, who would it be?

From reading Michael Offutt and Tony Laplume's responses, I don't think they really gave this question enough consideration.  Mostly they seemed to just pick someone they liked:  Guillermo del Toro and Roberto Bolano respectively.

The thing is, a beta reader is like a mentor, someone more experienced than you who's going to help you improve your writing.  If I simply pick based on my favorite author, I'd pick John Irving of course.  You know that if you've read this blog or previous ones for a while.

But would I really want him as my mentor?  I don't think so.  Mostly because I think he'd probably be kind of a jerk.  And I'm kind of a jerk, so two jerks trying to work together wouldn't work very well.

I don't know some of my other favorite authors well enough to know how well I might get along with them.  Other famous authors have their own problems, like Faulkner and Chandler (and many others) had problems with alcohol.  Others had problems with drugs and so on.

Let's say I go with another of my favorites:  Lawrence Block.  The first problem is that right now he's like 85.  But since I can pick anyone, anytime, maybe I can use my Bill & Ted phone booth to go back and scoop him up from another time.  I'd have to do some research though because at one time I think he had a problem with alcohol and at another (or the same time) had marital troubles, so I wouldn't want to scoop him up from those times.

Anyway, it sounds like a simple question, but maybe all the people not reading this can see how complicated it is.  To find your beta reader, your Jedi Master, you need to think about more than just someone whose work you like.  You have to consider them as a person and how they might form a decent partnership with you.

Maybe I'm just overthinking a frivolous question.  Or not.

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